Expanded from Susan Colodny’s work in RIT’s Finding Aid, Rochester, 2000.
Ismar David is born at 8:30 a.m. at Freiburgerstrasse 13 in Breslau to Benzion Wolff David (b. December 20, 1870 in Friedrichstadt), an insurance agent, and Rosa David, née Freund (b. January 16, 1875 in Breslau), a former teacher.
Forty-five-year-old Benzion David is drafted and posted to the Schlesische Train-Abteilung Nr. 6 as a recruit.
Ismar David follows brother Felix (b. February 15, 1909) at König Wilhelm Gymnasium, where Felix is an excellent student. Ismar’s academic career is considerably less successful.
Benzion David is discharged from service in Etappen Train Eskadron 602. Suffering the effects of malaria, the now Corporal David walks home from Rumania.
To recover from the hardship of wartime, “starving war children” are sent for short vacations with host families elsewhere. Ismar David goes to Prague and Vienna where he runs off with another boy to see Schönbrun. Stays with a family whose housemaid takes pleasure in rising early to create a new dessert for the evening.
At the age of ten, Ismar David has surgery to correct strabismus (crossed left eye).
Signs (with Benzion David) apprenticeship contract with painter-varnisher Carl Bautz. Father and son are aware that Ismar David will no longer be able to adhere to orthodox religious restrictions.
Begins classes at Handwerker- und Kunstgewerbeschule zu Breslau. Teachers include: Ludwig Peter Kowalski, Hermann Holscher, Georg Krause, Sigfried Haertel and Gerhard Stein.
Receives intensive private drawing instruction in an artist’s atelier.
First (known) published work, Jüdischer Jugendkalender, Berlin: Jüdischer Verlag 5690 - 1929/30, Cohn, Emil Bernhard, editor, appears.
Begins study of decorative painting at the Städtische Kunstgewerbe- und Handwerkerschule zu Charlottenburg (Arts & Crafts School of Berlin-Charlottenburg). Lives in building owned by his uncle Ismar Freund. Develops close relationship to his aunt Elise and cousins.
Jewish National Fund invites artists to submit designs for the fifth volume of its Golden Book.
Judges Hermann Struck, Saul Tchernikhovsky and S.A. Van Vreeland award Ismar David First Prize and £35 in competition for the design of Volume V of the Jewish National Fund’s Golden Book.
JNF asks for guidance on execution of Golden Book design. Ismar David offers to travel to Jerusalem to oversee production.
Leaves for Palestine with a group travelling to the first Maccabiah Games. Has no intention of returning to Germany, if at all possible.
With little demand for decorative painting in Jerusalem, establishes a studio for “Artistic Advertising” on Princess Mary Avenue. Commissions grow to include exhibition work, interior design and graphics.
The Palestine Pavilion at the World’s Fair (L’Exposition Universelle) in Brussels opens. The first of its three spacious halls displays large charts designed by Ismar David.
Receives permission from Department Of Migration to remain in Palestine as an immigrant.
Becomes a citizen of Palestine.
Part of a group show at the Cabinet of Arts, Ben Yehuda Street in Jerusalem, including work of Dr. Seleigmann and Miss Flasheim, bookbinding; Lydia Deutch, raffia bags; David Gumbel, Mr. Wolpet (Wolpert?), Lore Lilien, Mr. Hess, metal work or jewelry; Karl Henschel, commercial graphics; and Miss Keines, weaving.
Begins renting studio space in the basement of 8 Keren Kayemet Street in Rehavia section of Jerusalem at around this time.
Makes proposal to Moshe Spitzer about a family of Hebrew typefaces.
Desperate after Reichskristallnacht, brother Felix commits suicide with wife and two young children in Stuttgart.
Sister Selma and family flee Germany.
Ismar David departs Cherbourg on the Queen Mary to arrive in New York on March 8, to install Palestine Pavilion at the New York World’s Fair. Stays at the Mayflower Hotel. Has six-month visa, but returns to Jerusalem in late June via the RMS Aquitania.
Works for three months with Abraham Yemeni, a skilled olivewood carver, to develop modern designs for Mr. Yemeni's craftsmanship, including boxes, cigarette cases, ash trays and book covers.
Part of an informal association, the Jerusalem Group of Commercial Artists, which includes Elly Gross, Franziska Baruch, Emanuel Grau, Zvi Narkis and Eliyahu Koren. Serves as president for unknown period.
True to her word that she would not leave Germany as long as she had a child living there, Rosa David finally flees Germany and manages to join Selma in Shanghai.
Selma David Spittel and family emigrate to Australia. Rosa David remains in Shanghai until the Jewish Agency arranges for her departure in 1947.
Ismar David visits Lebanon and Syria, possibly in conjunction with project for Ellen Thorbecke.
Arrives in Boston on a Transcontinental & Western flight from Paris. According to an early resume, he comes to study U.S. printing methods.
Seventy-two-year-old Rosa David leaves Shanghai on the General W. H. Gordon, a converted troop transport ship, bound for San Francisco. From there, she travels by train to New York City, where she meets her son, before traveling further to Palestine.
Arrives at Lydda Airport, after cutting short his American trip to return to his friends in beleaguered Jerusalem.
Participates in “Modern Jerusalem Handicraft” at the Bezalel Museum, as part of the “Week of Embattled Jerusalem” program.
Dedication of the Weizmann Institute of Science at Rehovot, for which Ismar David designs scroll and key.
Robert Leslie extends invitation (and makes formal request to State Department) for Ismar David to come to U.S. in order to “show newly designed Hebrew alphabets”. Intertype Corporation desires to make the matrices. Exit visa granted in December.
Arrives in New York on British Overseas Airways Corp Flight BA 507/222 from London to finalize arrangements for David Hebrew with Intertype Corporation.
Executes agreement in NYC, giving Robert Leslie full power of attorney to negotiate and conclude agreement with Intertype.
Signs contract with Intertype to produce David Hebrew. On May 11, Intertype authorizes the complete set of final drawings for three Hebrew alphabets.
Robert Leslie acknowledges receipt of David Hebrew sheets 1-22.
Robert Leslie sends David Hebrew sheets 23-60 to Intertype.
Robert Leslie sends David Hebrew sheets 61-117 to Intertype.
Ismar David arrives at Idlewild Airport on EL AL flight 201/30 from Lod, Israel to design and install industrial exhibitions for Bonds for Israel.
Emigrates to America and begins work in New York City.
Test proof of new matrices of 12 point David Hebrew with italic.
Test proof of corrected matrices of 12 point David Hebrew with italic.
Recommended by George Salter and appointed calligraphy instructor in the Art School in Cooper Union, starting September 21, 1954.
Begins the first of three years teaching at Pratt Institute.
Delivers working drawings for “additional matrices for David Hebrew and the italic version.”
Ismar and Hortense Mendel David attend the International Design Conference in Aspen and visit the Pacific Coast.
Participates in the international design project Liber Librorum, to benefit Albert Schweizer.
Rosa Freund David dies in Israel.
Ismar David becomes naturalized citizen of the United States.
Takes part in group exhibition, Art in Judaism: Past and Present, at the Newark Museum.
Ismar and Hortense Mendel David attend opening ceremonies for the Bible Gardens of Israel at Woodbridge Cemetery. Guest speaker is Eleanor Roosevelt.
Ismar and Hortense Mendel David attend The Art and Science of Typography: An International Seminar of Typographic Design, in New Canaan, Connecticut, organized by the Type Directors Club of New York and the World Affairs Center, New York.
Intertype calls to say it has finished with 10pt David Medium with Bold. After OK, would proceed with 8pt Medium with Bold. July 22 Intertype sends first proofs of 10pt David Hebrew with Bold, dated July 17, font No. 2908. More proofs from Sept 26. More proofs in October. More dated December 29.
Ismar and Hortense Mendel David depart New York on the S.S. Flandre for vacation in Europe: France, Italy, Israel, Netherlands, Great Britain.
Moshe Spitzer chooses David Hebrew for Tarshish edition of S. Y. Agnon’s A Stray Dog. It is the first booklength use of David Hebrew.
Intertype sends proof sheet of 8pt David Medium with Bold.
Hortense Mendel David dies suddenly from a heart attack.
Artwork from the 23rd Psalm is displayed at a special service during The Arts Festival, Temple Emanu-el, Yonkers, NY.
Begins work on No Man Is An Island mausoleum in Pinelawn Memorial Park. Continues to design mausoleums, ground layouts, features and graphics for Pinelawn for more than 30 years.
Students in his evening class at Cooper Union give him Vom Felsbild zum Alphabet by Károly Földes-Papp in appreciation for his instruction.
Leaves on Type Directors Club trip to London, Edinburgh, Oxford, Salisbury, Cambridge and Paris. Meets Stanley Morrison, Beatrice Warde, John Dreyfus, Matthew Carter and Adrian Frutiger.
Cooper Union dismisses its calligraphy instructors, including Ismar David.
B’nai B’rith Klutznick Gallery in Washington, D.C. exhibits Ismar David’s drawings for The Psalms.
Pascal’s Les Pensées, Bloomﬁeld, CT: Limited Editions Club, published.
Selected Drawings by Tully Filmus, Philadelphia: Jewish Publication Society of America, is highest scorer in Philadelphia Book Show.
Exhibition: A Series of 58 Drawings for the Psalms and Ceremonial Objects for the Home at the YM-YWHA Essex County.
The Psalms, New York: Union of American Hebrew Congregations, published and chosen for “Fifty Books of the Year” by American Institute of Graphic Arts (AIGA).
Printers’ Pilgrimage to Israel with The Typophiles.
Exhibition, with Ernst Reichl, in AIGA Gallery (New York, NY), showing both the drawings for the Psalms and Pascal’s Les Pensées.
Included in an exhibition of selected works of calligraphy, 1941-1976, by The Cooper Union alumni and faculty in celebration of the opening of the Cooper Hewitt Museum.
Our Calligraphic Heritage, New York: Geyer Studio, published.
Begins negotiations and various iterations of agreements with Technomark, then Arta/Letraset in 1983/84 for display versions of David Hebrew.
Begins work on a version of David Hebrew for IBM Selectric typewriter. Work proceeds through 1982, when it is aborted.
Conducts workshops at The Calligraphy Connection, a calligraphy conference in Minneapolis.
Conducts workshops at Philadelphia Conference on the Calligraphic Arts.
Manager of Grid & Font Manufacture at Stempel, René Kerfante, writes, asking for authorization to produce “DAVID”.
Geyer Studio produces the uncompleted and now lost documentary film,“The Work of Ismar David,” with filmmaker Jeff Keller.
The quarterly Calligraphy Idea Exchange publishes the “Ismar David Portfolio” in the second number of the year.
Stempel sends first proofs of David Light and Bold.
Ismar David conducts workshops at The Calligraphy Connection, again in Minneapolis.
Joins Typophiles’ group trip to Jerusalem, celebrating Robert Leslie’s one hundredth birthday.
Gives lecture at Bezalel Academy of Arts and Design, Jerusalem.
Facilitates the donation by Stempel to the Israel Museum of his 1984 drawings for David Hebrew.
Dorothy Hoffman David dies.
Establishes ABCD Architectural and Graphic Studio with Helen Brandshaft.
Inauguration of his design for the sanctuary of the Brotherhood Synagogue on Gramercy Park in New York City.
Ismar David dies in New York, NY and is buried in the Garden of Peace in Pinelawn Memorial Park.